Cortesanons to celebrate Misa de
Gallo in restored Sto. Niño church
Christmas dawn
masses for Cortes town would be a bit meaningful this year.
Parishioners,
several of them devout, professed to have the resolve not to miss any of the
nine day’s dawn masses inside the old coral stone church, would finally be back
in the warm yet cavernous embrace of the newly restored church which the
earthquake of 2013 damaged.
It could also be a
teary walk back into the past from many who have since not seen the insides of
the church that still keeps its 1920s ceiling paintings by Ray Francia.
Church authorities
in 2013 decided to barricade the ruined church whose foundations took a severe
test when the early morning October 15, 2013 earthquake shook Bohol.
When the dust
settled, parishioners saw that the church’s portico façade has become an ugly
pile of stone tablets and limestone, the galvanized iron roof shriveled and the
old wooden trusses sticking out from the pile of rubbles.
The earthquake
also revealed the church’s original façade which could be made by the Jesuits,
and effectively hidden when the Augustinian Recollects came in early 1800.
Inside, the left
wall of the altar sank a few inches deep and toppled the side walls of the late
17th century baptismal chamber and across the gospel side.
With its
foundations declared as compromised, local church authorities have to set up a
temporary church in the plaza, one that has since become the venue for the dawn
masses in the next three years that followed.
Built from light
materials, if only to assure that the church could still offer its services,
one that kept the community’s faith alive.
A few years later,
a philanthropic family from the town donated for the alternative church which
now stands near that old ruined church, at times, would have to ring the bells
from the far side of the church plaza where the old tower still stands.
“It’s always
nostalgic every time the somber bells ring, calling the community to assemble
for the weekly masses. The church, although sustaining what many would call as
minor damages, needed a thorough structural assessment, one which could be
costly,” admits a young architect who came to inspect and assess the damage.
Unsaon na man nato pagpabalik sa karaang simbahan nga
maglisud na man gani tag pangita’g makaon? (How can
we rebuild the old church when we could hardly get food?) a regular church goer
finally aired what many people have kept to themselves.
Cortes is a fifth
class town and ranks among the province’s poor.
Unknown to many
however, months before the earthquake, Rev. Fr, Milan Ted Torralba of the
Diocesan Commission for the Cultural Patrimony of the Church, the committee
that keeps track of the religious heritage of the church, has submitted Cortes’
Santo Niño Church for the National Museum’s declaration as among the country’s
Important Cultural Properties (ICP).
Mag-ampo ta nga milagrohan ni Santo Niño, aron maapil
ang atong simbahan sa mga isipon nga katigayunan sa simbahan,
(Let us all pray for a miracle from the Holy Child, that the church would be
included in the list of the church’s important cultural properties), Fr.
Cañizares urged the faithful.
Fr. Milan Ted
Torralba and then Parish Priest Fr. Linuel Cañizares did not leave any option
uncovered if only to rebuild the ruined church.
Donations from
well-meaning parishioners and Cortesanons abroad started trickling, but the
rebuilding amount was just too huge that hope for the restoration of the
heritage structure thinned.
The declaration
documents however did not come until the local church with the help of a
philanthropic family from the town has built an alternative church, which has
become the semi-temporary venue for church gatherings and masses.
In 2015, then
parish priest Fr. Cañizares broke the good news: the National Government
through the National Museum has declared the Santo Niño church as among the
country’s important cultural properties and is eligible for restoration funds
from the national government.
When by December 3
of 2017, under the new parish priest Fr. Roderick Pizarras, church authorities
and the National Museum representatives laid the time capsule containing the
detailed plans of the church restoration, the faint hope which the people kept
in their hearts glittered, recalled Isidoro Lungay, former Parish Pastoral
Council president.
Malipayon, kay matrabaho na gyud og balik ang simbahan.
Luoy gyud siya tan-awon nga mura’g nakalimtan na lang samtang ang mga tawo
naginabuhi nga mapahiuli ang ilang mga kinabuhi.
(Elated, finally the church would be restored. The old building is a pitiful
structure, seemingly forgotten as the people struggled to rise from the pains
left by the disaster), shared one parishioner during the ground breaking
ceremonies.
When the construction
workers started fencing the church and the hammering started, parishioners, who
consider the church as a treasure, ascertained that the construction would
follow the agreed standards and that the old form is retained.
Two years later,
Fr. Pizarras announced again that the contractor: 401 Development Corporation
and the Diocese of Tagbilaran authorities are now just about ready to turn over
the restored church.
By December 14 of
this year, church authorities would be receiving from the National Museum the
restored church which has cost the national government millions of funds in
restoration.
The turn-over also
happens six years and two months after the fateful day in October when the
church barred its doors for the parishioners, for safety reasons.
Now, with the
church gleaming in polished stone and already sporting the old bell tower based
upon the pictures in the archives, the church also boasts of ceiling paintings
in its gospel and epistle sides, as well as a last supper painting reproduction
by one of the sons of local church painter and restorer Rosalio Ortiz.
When there were no
visible drainage systems then which threatened the integrity of the church
foundations, the restorers now made sure one would be built.
The church naves
now also sport spot lighting which enhances the panels in the ceiling
paintings.
The church has
prepared a short but fitting rites for the turn-over, even as the contractor
has rushed the construction of the bell-tower where the antique church bells
used to hang.
One more mass and the somber sound of the bells which I
use as an alarm clock when I was a kid, and I would be ready to die,
an old lady servant of the old church shared.
By then, I would be among the very few who have been
baptized inside the church and maybe, get my last rites inside the same church,
she added.
Whatever that be, the
church would be the national government’s biggest Christmas gift to the
faithful of Cortes. (rahc/PIA-7/Bohol)
RISING FROM THE RUBBLES. From the
rubbles of the old church rises the restored structure whose builders used
every bit of stone from the old structure to build the new. Toppled by the
October 2013 earthquake, it took the government over 6 years to complete the
restoration of the church which it declared as an important cultural property.
(rahc/PIA-7/Bohol)




